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Book Title: L'Avare / Le Misanthrope / Le Bourgeois Gentilhomme|
The author of the book: Molière
Date of issue: August 13th 2000
Format files: PDF
The size of the: 26.18 MB
City - Country: No data
ISBN 13: 9782877141376
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Reader ratings: 5.5
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Molière (1622-1673) est l'un des plus grands écrivains du monde. Parce qu'il a su mettre en relief les caractères pro-fonds de la nature humaine. Il recherchait d'abord l'effet scénique, mais à la situation comique, il savait ajouter la vérité de la vie, et la fantaisie poétique, avec, toujours, une grande sûreté d'écriture.
L'Avare (1668) analyse les ravages causés à son entourage par Arpagon et sa passion dévastatrice pour l'argent. Le Misanthrope (1666) est la comédie que Molière travailla le plus longtemps. Boileau aurait servi de modèle au personnage d'Alceste, sans doute celui, parmi les créations de Molière, dont l'épaisseur humaine est la plus grande. Le Bourgeois gentilhomme (1670), divertissement faisant allusion à la visite à Versailles d'un représentant du Grand Turc, eut un succès considérable lors de sa création.
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Read information about the authorJean-Baptiste Poquelin, also known by his stage name, Molière, was a French playwright and actor who is considered one of the greatest masters of comedy in Western literature. Among Molière's best-known dramas are Le Misanthrope, (The Misanthrope), L'Ecole des femmes (The School for Wives), Tartuffe ou l'Imposteur, (Tartuffe or the Hypocrite), L'Avare ou l'École du mensonge (The Miser), Le Malade imaginaire (The Imaginary Invalid), and Le Bourgeois Gentilhomme (The Bourgeois Gentleman).
From a prosperous family and having studied at the Jesuit Clermont College (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped to polish his comic abilities while he also began writing, combining Commedia dell'Arte elements with the more refined French comedy.
Through the patronage of a few aristocrats including the brother of Louis XIV, Molière procured a command performance before the King at the Louvre. Performing a classic play by Pierre Corneille and a farce of his own, Le Docteur amoureux (The Doctor in Love), Molière was granted the use of Salle du Petit-Bourbon at the Louvre, a spacious room appointed for theatrical performances. Later, Molière was granted the use of the Palais-Royal. In both locations he found success among the Parisians with plays such as Les Précieuses ridicules (The Affected Ladies), L'École des maris (The School for Husbands) and L'École des femmes (The School for Wives). This royal favour brought a royal pension to his troupe and the title "Troupe du Roi" (The King's Troupe). Molière continued as the official author of court entertainments.
Though he received the adulation of the court and Parisians, Molière's satires attracted criticisms from moralists and the Church. Tartuffe ou l'Imposteur (Tartuffe or the Hypocrite) and its attack on religious hypocrisy roundly received condemnations from the Church while Don Juan was banned from performance. Molière's hard work in so many theatrical capacities began to take its toll on his health and, by 1667, he was forced to take a break from the stage. In 1673, during a production of his final play, Le Malade imaginaire (The Imaginary Invalid), Molière, who suffered from pulmonary tuberculosis, was seized by a coughing fit and a haemorrhage while playing the hypochondriac Argan. He finished the performance but collapsed again and died a few hours later. In his time in Paris, Molière had completely reformed French comedy.
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